OK...let's forget for a minute all
of that hoo-haa about TV yellow. After some painstaking research and
talking to some dudes that are supposedly in the know, Les Paul never played a TV yellow
guitar on television. Gibson's TV line reflected Les' notoriety on television, not
the color of the guitar. In June, 1953, Les Paul and Mary Ford's"Vaya con
Dios" hit the record bins, and shot to the number one spot. Following this success
the couple started to host their own television broadcast from their Mahwah, New Jersey
home. Sponsored by Listerine, it was known as the Les Paul and Mary Ford At
Home Show. So what does this have to do with the color of the guitar?
Nothing, in my opinion. Gibson refered to the color of the TV guitar as limed
mahogany. Limed mahogany, what we know as TV yellow, was a very popular
furniture finish back in the 1950's. My grandmother has an old Muntz console TV that
is finished in limed mahogany. Bottom line: It is probably safe to assume that
the pleasing yellow guitars that we love today trace their heritage not to the harsh
lights of 1950's television, but rather to the furniture trends of the day. Now that the history lesson is out of the way, we decided to build a new FM guitar out of mahogany. This is the journey of the finishing process. Check out the FM3 section back in the Builder's Gallery for the complete building notes. And for some reason, the thing just had to be yellow. Check out the photos below, and click on them for a full size
version (see them up close). |
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Here is a couple of shots of the new FM prior to
finishing. The guitar was built just like the FM3 Mahogany guitar in the Builder's
Gallery. The body was made from a one-piece blank of Honduran Mahogany purchased on eBay. The neck was from a nice piece of Honduran Mahogany which, coincidentally, was the other half of the FM3's neck. |
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The only difference between the two guitars is
that the neck joint is very similar to a 1950's Les Paul Junior rather than a modern Les
Paul. Here is a close up of the neck joint. Also note that the pickups will be
P-90s. The neck joint is pretty hefty, and I think that it added significantly to the cool tone of the Juniors and Specials made by Gibson. What you have is essentially a Fender-style mortise with a small amount of wood on the lower cutaway side. The neck has a Fender-like tenon, only deeper. |
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Here are a couple of shots of the new FM with the first coats of yellow. We used ReRanch TV Yellow, and are using the directions provided by Mr. Lester on his site. | ||
We shot a couple more mist coats and were satisfied with the coverage. If we spray it now with a coat or two of dull lacquer, this would be a replica of the finish known as "Faded Yellow" by Gibson. | ||
The next task is to get the finish complete...on to Page 2! | ||
Page 2, Page 3, Page 4 |
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